Ritz, for the Third Time, Returns to the Super Bowl
The scalloped edge, it seems, has found a permanent seat at advertising's most expensive table.
Continue reading →All the news we could fit in print.
The scalloped edge, it seems, has found a permanent seat at advertising's most expensive table.
Continue reading →It is a truth universally acknowledged that an advertising agency in possession of a good client must be in want of a percentage.
For decades, the advertising business has operated on a reasonably straightforward arrangement: agencies develop the ideas, agencies produce the work, agencies collect fees for both.
There is a certain kind of marketing white paper that exists primarily to be downloaded and never read, its 40 pages serving mainly as proof that someone, somewhere, filled out a form.
There is a certain irony in an advertising campaign that promises safety by emphasizing the absence of a human being, but Waymo, the self-driving car company owned by Alphabet, is betting that for women riders, that absence is precisely the point.
The advertising technology industry has spent the better part of two decades promising that computers would make media buying faster, smarter, and less dependent on the humans who built the systems in the first place.
The advertising world has long operated on the theory that if you can see what someone buys, you can sell them something else.
The challenge facing any marketer who inherits a successful campaign is not unlike that of a television showrunner taking over someone else's hit series: how to keep the thing alive without killing what made it work in the first place.
When Jeff Green and Dave Pickles founded The Trade Desk in 2009, the programmatic advertising business was still young enough that two men could reasonably claim to understand all of it.
The holidays, which never lack for retail melodrama, have acquired a peculiarly theatrical cast this year, as two of the largest big-box chains unveil campaigns that lean less on screaming about price and more on, of all things, narrative coherence.